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(Well, OK, maybe a little about drugs, but more significantly about homesick alienation in the middle of a crowd.) And while there’s been some custody disputes over who actually contributed what to the song - the late Gene Clark, shortly to leave the band, claimed majority authorship, while Roger McGuinn and David Crosby later claimed they simply finished his first draft - at this point it feels like one of those songs that wound up belonging to any succession of artists who found a way to take it through - and past - its proto-psychedelic origins. While RM and CTCK may have been the more adventurous and original, there is something to be said about maturity that allows the radical ideas to be expressed with greater control and more beautiful and memorable music.For a song that’s been so often reduced to ’60s Montage Cliche #00001B ( Note: Please use only in case of rights restrictions for the Youngbloods’ “Get Together”), the Byrds’ “Eight Miles High” is still something of a miracle - a successful translation of avant-garde jazz into pop music, a harmonic convergence where every singer and player is at their best, and a song that actually feels more resonant when you discover it’s not about drugs. What ‘s wrong with that? Similar discord is found among those who prefer the wishing an washing of Court of the Crimson King to the danceable Discipline, Beat, or 3ofaPP. And of course Love is the Drug, you can dance to it. The intro to Sentimental Fool, Crimsonesque in the dark tones, only to be relieved by catchy and droll(?) part of the vocal accompanied ending. Whirlpool, so reminiscent of Re-make Re-model.
#ROXY MUSIC EIGHT MILES HIGH LYRICS PLUS#
Plus they had a diversity that anyone could find a way “in” to Roxy. They had matured, and every song exceptional.
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Perhaps, “divisive” is exactly what it is. That said, I have always found Siren the best Roxy Music album. Roxy Music Albums: Ranked from Worst to BestĪs a caveat, rather than an explanation, I am a tremendous King Crimson fan 1980-2000s version. Here are their eight studio albums, ordered from my least favourite to favourite.
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Their sole number one single, a lovely take on John Lennon’s ‘Jealous Guy’ released in 1981, isn’t featured on any of their albums. Roxy Music were phenomenally successful for a band with experimental tendencies – all eight of their studio albums made the UK top ten. The band’s reunion albums were smoother and less experimental than their earlier work. They reunited in 1978 to record Manifesto, but the core band was reduced to a three-piece of Ferry, Mackay, and Manzanera after Paul Thompson quit in 1980. After touring behind Siren, the group disbanded in 1976. Roxy Music went through a succession of bass players, while Brian Eno was replaced by Eddie Jobson after 1973’s For Your Pleasure. Roxy Music sought to blur the lines between high art and pop art, making postmodern pop music. One common thread for all the members was an appreciation of the avant-garde experimentation of the Velvet Underground, while Eno’s experiments with synths and tape effects were unusual for a song-based rock band. Guitarist Phil Manzanera was the last recruit, joining shortly before the group’s first album was recorded in 1972.Įach member bought their individual background to the band Manzanera grew up in Latin America, Mackay was classically trained, while Mackay, Ferry and Eno all came from art school backgrounds. Drummer Paul Thompson joined in 1971, and his muscular playing helped keep the band’s experimental rock accessible. They recruited saxophone and oboe player Andy Mackay and synth player Brian Eno (who “treated” the other players’ instruments through his synth). English art-rock band Roxy Music was formed by vocalist Bryan Ferry and bassist Graham Simpson in 1970.